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That night Kat found out that she would be the next councilperson and the first womxn to represent her ward, and it is a night I will never forget. I take radical pride in having helped her surpass the odds and smash a glass ceiling for young womxn across the city and state. In the following days, I cried from sheer happiness and excitement because I finally had faith that an elected official would fearlessly battle any and all mechanisms of the machine that keep the most marginalized people down. I cried because, in Kat’s victory, I saw a new future for millennial and Gen Z youth, a future that will serve to inspire and empower us. zapatillas cafe noir Months passed as Kat and I worked side by side to get her elected. We woke up early every morning, no matter what we had been doing the night before, to knock on doors across the neighborhood. Many afternoons were spent stuffing envelopes and talking strategy in Kat’s apartment. On weekends we went out to decompress after a week of campaigning, but politics were never far from our minds. During those months we would end our days together and talk about how surreal our reality had become, stories we will one day pass down to our daughters (who will absolutely be best friends). We grew together and became even closer than I thought possible. It felt sometimes, to me, like every victory she had along that campaign trail was my own. I watched Kat succeed through sheer force and willpower, and it sent a fire through me even in the searing summer heat. I vowed I would knock on as many doors as I could. Working on your best friend’s campaign for city council in your early 20s isn’t something everyone gets to do. Soon, though, I hope this becomes a reality for millennial and Gen Z youth across the country. zapatillas cafe noir — both led by early career Black women. And finally, I am encouraged by the Sadie Collective, named for Dr. Sadie Alexander, which will be celebrating 100 years of her legacy on February 19-20, 2021, with zapatillas cafe noir showcases that their “sound” isn’t easily definable in the slightest. There’s trunk-rattling, bass-dumping energy that seems perfectly meant to ride down Edgewood to with songs like “Top Down” and “Bank,” but then records like “Blue Moon,” that consume with sweet and sticky Southern jazz and blues sound that seems to be a staple of certain Atlanta artists, both past and present. The albumis zapatillas cafe noir