Lizzo Got Her Sister a BTS Birthday Cake, and I Want One chuck 70 classic high For “B*tch,” specifically, I just moved to L.A. and was living in a house with all these other producers. I was new to the house though, and they were being really territorial. They didn’t want to write with me, and it was strange. So I sort of went by myself in this room, which only had one piece of gear, and I just spent the afternoon in there feeling like a total outcast. By the end of the day, “B*tch” was written. Some people are like, “It’s a feminist anthem,” but it was sort of one of those things I barfed out… It could subconsciously have been a feminist anthem, but it felt like something was just coming through me.ContentView Iframe URLTV chuck 70 classic high know a language besides English. They often have no idea they’re chuck 70 classic high Yeah! But I think the bigger question is, “Why does being ‘brain-dead bubblegum’ mean it’s feminine?” That’s the part that really bothers me. When we look at pop, all that means is it’s “popular music,” and it’s likable to the masses. And I don’t think that should ever be a dirty thing… I don’t know, I think there’s a lot of power in pop music, and I think changing the stigma around it has kind of been happening naturally. Like, there’s this interesting subgenre happening right now between indie and pop, and I think that has something to do with streaming and the fact that young audiences get to determine what they like. They’re not just being told. I mean, they are to an extent, but I think as radio and major labels start dying down, there’s going to be a natural uprising of cool pop.TV chuck 70 classic high
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| Temps: | 2025-11-15 19:34:42 |